Open the project in Live with its tracks still tracks.
Yerk converts an FL Studio project (.flp) into an Ableton Live set (.als) on macOS. Tracks, patterns, tempo, instruments and samples carry across, and FL Studio effects are mapped to their closest Ableton devices. It reads the project file directly, so nothing is rendered to audio. Built from analysis of 558 real FL Studio projects.
FL Studio and Ableton Live store a project in two unrelated formats, and there has never been a shared standard between them. So the workaround every producer knows is the same one from fifteen years ago: bounce each track to a WAV, drag the stems into a fresh Live set, and rebuild the arrangement, the instruments and the effect chains by ear. You keep the audio and lose everything that made it editable. For a collaborator who works in Live, or for your own switch, that is hours per project, and the reason most projects never move at all.
Yerk reads the .flp itself, not a rendered copy, and writes an Ableton Live 12 set. From the FL project it carries:
Where an FL effect has no exact counterpart in Live, Yerk chooses the closest device and marks the conversion as an approximation rather than silently leaving the slot empty. What it could not carry is named, so you know what to check before you send the session to anyone.
A VST or AU used in FL Studio is referenced by the project, not embedded in it. The same rule applies in Live. If a plugin is installed on the Mac that opens the converted set, Live loads it; if not, Live shows the missing-device placeholder exactly as it would for any of its own projects. Yerk cannot install plugins for you, and neither can anything else.
.als in Ableton Live 12. The tracks, clips and devices are there.The conversion runs entirely on your Mac. The project is never uploaded to a server, which matters when the project is unreleased.
Before writing the converter, we collected 558 real FL Studio projects from working producers and catalogued what actually breaks when they move: which effects have no equivalent, how sample paths go stale, where pattern lengths and time signatures disagree. The converter is built around that list, not around the file-format documentation.
FL Studio to Ableton Live is the transfer that ships today. Logic Pro, Pro Tools and Cubase are next, in that order. If you need one of those, join the waitlist and say so. The order is set by who asks.
Moving a project is one half of the problem; keeping it safe is the other. Yerk also keeps hash-verified, versioned backups of your projects, in whichever DAW they live. For how this compares with online converters, see alternatives.